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We go in peace, leaving each other with "I hope I don't have to see you next week!"
Just like last week, when the last handful of fash finally left, one person from our side said "say it loud, say it clear" and all of us yelled "refugees are welcome here!
The sentiment we've been holding back all afternoon, to be sufficiently boring that fash livestreams don't get viewers is all distilled in to three or four repetitions of this.
I was picking up our stuff and yelling and thinking Ah, yes, the benediction. It is Sunday, after all.
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PSA: Prophet is a Yuletide fandom and also extremely readable
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(no subject)
Every time I think I've emptied out every possible cupboard or drawer or other storage space in my house, I discover some other place full of stuff I need to deal with. This morning I remembered to check in a certain overhead shelf in my work room and found it mostly stuffed full of packing materials (bubble wrap and plastic bags, mainly). However, there were also some travel-related things that I need to keep, such as wallets from different countries with the relevant cash in them, and a few other bits and pieces. Also a large backpack I'd completely forgotten I own which will be useful for carrying clothes and/or shoes in the car when I leave. In a different drawer there was a pile of financial stuff which I'd been procrastinating on going through, but today I sorted it out and was able to throw out some stuff although some of it had to be kept. In the same drawer I discovered a couple of dozen forever stamps I didn't know were there, so that was a nice bonus although I don't know how many of them I'll ever use since I so rarely send anything by mail any more. I would have been happier to find them if they were international forever stamps because I do send cards to family in Australia. In the past I've mailed cards to my granddaughters in Connecticut and would have been able to use domestic stamps, but I guess I won't be doing that from now on.
It's a bit of a strain to keep the basics of my normal life running while packing up everything I'm not immediately using. Occasionally I discover that I need something I've already packed, but I've been leaving boxes open if I think I might need something (or I might want to add something later) so it hasn't been much of a problem.
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The Years, by Annie Ernaux
Second paragraph of third section of main body of text:
La frénésie qui avait suivi la Liblration s’estompait. Alors les gens ne pensaient qu’à sortir et le monde était plein de désirs à satisfaire sur-le-champ. Tout ce qui constituait la première fois depuis la guerre provoquait la ruée, les bananes, Ies billets de la Loterie nationale, Ie feu d’artifice. Par quartiers entiers, de la grandmère soutenue par ses filles au nourrisson en landau, les gens se précipitaient à la fête foraine, à la retraite aux flambeaux, au cirque Bouglione où ils manquaient être piétinés dans la bousculade. Ils se portaient en foule priante et chantante sur la route pour accueillir la statue de Notre-Dame de Boulogne et la reconduire le lendemain sur des kilomètres. Profane ou religieuse, toute occasion leur était bonne d’être au-dehors ensemble, comme s’ils voulaient continuer de vivre collectivement. Le dimanche soir, les cars revenaient de la mer avec de grands jeunes gens en short qui chantaient à tue-tête, grimpés sur le toit à bagages. Les chiens se promenaient en liberté et s’accouplaient au milieu de la rue. | The frenzy that had followed Liberation was fading. All people thought about was going out, and the world was full of desires that clamoured for immediate satisfaction. Anything that comprised a first time since the war provoked a stampede – bananas, fireworks, National Lottery tickets. Entire neighbourhoods, from elderly ladies propped up by their daughters to infants in prams, flocked to the funfair, the lantern parade, and the Bouglione circus, where they narrowly escaped being crushed in the melee. They took to the road in praying, singing crowds to welcome the statue of Our Lady of Boulogne and walk her back the following day over many kilometres. They never missed a chance, secular or religious, to be outside with other people, as if they still yearned to live collectively. On Sunday evenings, the coaches returned from the seaside with tall youths in shorts clinging to the luggage roofs and singing at the top of their voices. Dogs roamed free and mated in the middle of the streets. |
One of Ernaux’ best known books, this is even more firmly autobiographical than most of her work, telling her personal story against the backdrop of politics and society in France – or is it the other way round? While on the one hand it gives the sense of a stream of consciousness flowing over seven decades, on the other it is punctuated by descriptions of photographs and moments of emotion and sex, bringing the personal to the political and vice versa. At the start I had a few moments of huh, I’d better look that incident up, and then later it was more hah, I remember that happening too; I felt that someone my age could write a book like this that I would enjoy even more, though it would be 27 years shorter. I felt fully immersed and engaged. The book is also mercifully short. Recommended. You can get The Years here.
This was my top unread book by a woman. Next on that pile is, believe it or not, The Great Hunger by Cecil Woodham-Smith.
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I made friends with a big dog!

#millie #dog #dogsofdreamwidth
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The best known books set in each country: Cambodia
See here for methodology. Books are disqualified if less than 50% of them is set in Cambodia.
These numbers are crunched by hand, not by AI.
Title | Author | Goodreads raters | LibraryThing owners |
First They Killed My Father: A Daughter of Cambodia Remembers | Loung Ung | 53,058 | 2,414 |
The Rent Collector | Camron Wright | 57,712 | 718 |
In the Shadow of the Banyan | Vaddey Ratner | 21,825 | 1,091 |
Never Fall Down | Patricia McCormick | 12,254 | 737 |
The Road of Lost Innocence: The True Story of a Cambodian Heroine | Somaly Mam | 8,739 | 510 |
When Broken Glass Floats: Growing Up Under the Khmer Rouge | Chanrithy Him | 4,980 | 461 |
The Disappeared | Kim Echlin | 3,752 | 409 |
Children of the River | Linda Crew | 1,986 | 752 |
I’ve had a number of countries in this list with a particular national trauma that dominates the literature about them, but I think Cambodia is unusual in the proportion of such books written by actual Cambodians rather than well-meaning Americans, and which are set in the middle of the horror rather than in its aftermath. You could find that depressing, but I find it rather admirable.
This week’s overall winner, First They Killed My Father, is a first-person account from a child’s point of view of the violence meted out by the regime on pretty much anyone. Its historicity has been challenged, but it clearly carries an emotional punch.
This week’s Goodreads winner, The Rent Collector, is unfortunately by an American writer trying to imagine the situation of poor children in Phnom Penh, and doesn’t sound as good. I scores remarkably well on Goodreads relative to its LibraryThing ownership.
I disqualified only one book this week, Afterparties by Anthony Veasna So, which is set among the Cambodian diaspora in the USA.
Other countries where I only disqualified one book: India, the USA, Nigeria, Russia, Iran, the UK, Spain, Iraq.
Countries where I have not disqualified any books: Japan, Egypt, DRC, Vietnam, Colombia.
Coming next: a run of African countries, Zimbabwe, Guinea (Conakry), Benin and Rwanda.
Asia: India | China | Indonesia | Pakistan | Bangladesh (revised) | Russia | Japan | Philippines (revised) | Vietnam | Iran | Türkiye | Thailand | Myanmar | South Korea | Iraq | Afghanistan | Yemen | Uzbekistan | Malaysia | Saudi Arabia | Nepal | North Korea | Syria | Sri Lanka | Taiwan | Kazakhstan | Cambodia
Americas: USA | Brazil (revised) | Mexico | Colombia | Argentina | Canada | Peru | Venezuela | Guatemala | Ecuador
Africa: Nigeria | Ethiopia (revised) | Egypt | DR Congo | Tanzania | South Africa | Kenya | Sudan | Uganda | Algeria | Morocco | Angola | Mozambique | Ghana | Madagascar | Côte d’Ivoire | Cameroon | Niger | Mali | Burkina Faso | Malawi | Chad | Somalia | Senegal
Europe: Russia | Türkiye | Germany | France | UK | Italy | Spain | Poland | Ukraine | Romania | Netherlands
Oceania: Australia
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The True Trump Motto
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"Moloch's bargain"?
In “Agentic Culture” (8/30/2025), I cited some work by economists about agentic collusion in fixing prices and dividing markets — to which I might add links here, here, and here. And in that post, I noted that the problematic effects of AI agents learning from their social interactions in other areas have been mostly ignored.
But here it comes: Batu El and James Zou, "Moloch's Bargain: Emergent Misalignment When LLMs Compete for Audiences", 10/7/2025.
Abstract: Large language models (LLMs) are increasingly shaping how information is created and disseminated, from companies using them to craft persuasive advertisements, to election campaigns optimizing messaging to gain votes, to social media influencers boosting engagement. These settings are inherently competitive, with sellers, candidates, and influencers vying for audience approval, yet it remains poorly understood how competitive feedback loops influence LLM behavior. We show that optimizing LLMs for competitive success can inadvertently drive misalignment. Using simulated environments across these scenarios, we find that 6.3% increase in sales is accompanied by a 14.0% rise in deceptive marketing; in elections, a 4.9% gain in vote share coincides with 22.3% more disinformation and 12.5% more populist rhetoric; and on social media, a 7.5% engagement boost comes with 188.6% more disinformation and a 16.3% increase in promotion of harmful behaviors. We call this phenomenon Moloch’s Bargain for AI—competitive success achieved at the cost of alignment. These misaligned behaviors emerge even when models are explicitly instructed to remain truthful and grounded, revealing the fragility of current alignment safeguards. Our findings highlight how market-driven optimization pressures can systematically erode alignment, creating a race to the bottom, and suggest that safe deployment of AI systems will require stronger governance and carefully designed incentives to prevent competitive dynamics from undermining societal trust.
[h/t Futurism 10/10/2025]
You should read the whole thing, because I'm now going off in a different direction. Why is this a bargain with Moloch?
Wiktionary tells us that Moloch was "an Ammonite god mentioned in the Pentateuch, worshipped by Canaanites and Phoenicians, said to have demanded child-sacrifice", and adds the figurative sense "A person or thing demanding or requiring a very costly sacrifice".
But still, why Moloch? There are only two biblical citations, one in Amos 5/26, and another in Acts 7:43. These describe the punishment for worshipping a false god — but there are many similar biblical stories involving Baal, Dagon, Ashtoreth, the golden calf, etc.
So I remained puzzled about the AI = Moloch connection, until the paper's bibliography clued me in, by citing Scott Alexander's "Meditations on Moloch", 7/30/2014, which in turn cites part 2 of Allen Ginsberg's Howl, in which the word Moloch occurs 39 times. It starts this way:
What sphinx of cement and aluminum bashed open their skulls and ate up their brains and imagination? Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable dollars! Children screaming under the stairways! Boys sobbing in armies! Old men weeping in the parks! Moloch! Moloch! Nightmare of Moloch! Moloch the loveless! Mental Moloch! Moloch the heavy judger of men! Moloch the incomprehensible prison! Moloch the crossbone soulless jailhouse and Congress of sorrows! Moloch whose buildings are judgment! Moloch the vast stone of war! Moloch the stunned governments! Moloch whose mind is pure machinery! Moloch whose blood is running money! Moloch whose fingers are ten armies! Moloch whose breast is a cannibal dynamo! Moloch whose ear is a smoking tomb!
And why does Alexander bring in this poem?
Moloch is introduced as the answer to a question – C. S. Lewis’ question in Hierarchy Of Philosophers – what does it? Earth could be fair, and all men glad and wise. Instead we have prisons, smokestacks, asylums. What sphinx of cement and aluminum breaks open their skulls and eats up their imagination? […]
The implicit question is – if everyone hates the current system, who perpetuates it? And Ginsberg answers: “Moloch”. It’s powerful not because it’s correct – nobody literally thinks an ancient Carthaginian demon causes everything – but because thinking of the system as an agent throws into relief the degree to which the system isn’t an agent.
PennSound's Ginsberg collection has several of the poet's readings of Howl 2, for example this one from KPFA Studios, 10/25/1956:
Ginsberg's 1955 poem has some bits that fit modern agentic AI poetically well — "Moloch whose mind is pure machinery", to start with.
Scott Alexander's 2014 meditation on the poem is more straightforwardly relevant to El and Zou's paper, describing various forms of multi-agent traps as instances of a game-theoretic race to the bottom. He's writing about cases where the agents are traditionally human — but the evolutionary forces apply to AI agents in exactly the same way. Which is why El and Zou borrowed Moloch from him, having perhaps gotten the link from some of the many Y-combinator references.
See also the Less Wrong page on Moloch…
I wonder how Ginsberg would feel about Howl's influence on Silicon Valley culture?
Update — we should also note the role of Moloch in Fritz Lang's Metropolis, which is where Ginsberg got the idea from. Wikipedia has a page full of other references to Moloch in literature and popular culture.
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Obstetrix, by Naomi Kritzer
Review copy provided by the publisher. Also the author is a good friend.
Thrillers and near-future SF are not the same beast. Naomi has written tons of the latter, but as far as I know this is her first foray into the former. And she nails it--the differences in pacing and focus are all spot-on for a thriller. The general plotline of this particular thriller is: an obstetrician under fire for having provided an abortion to a high-risk patient is kidnapped by a cult to handle their obstetrics (and general medical) needs. If you just went, "Ohhhhhh," this is the novella for you.
Some points of clarity: the cult is not a sensationalized one. It's a very straightforward right-wing Christian compound, not wild-eyed goat-chompers but the sort of people who firmly believe that they're doing the right thing while they treat each other horribly, the sort you can find in some remote corner of every state of the US. Without violating someone's privacy, I know someone who joined a cult like this, and Naomi gets the very drab homely terror of it quite right.
One of the things I love about Naomi's writing is that she never relies on Idiot Plot. You never have to say, "but why doesn't Liz just blah blah blah," because Liz does just blah blah blah--that is, she does try the things a sensible person might try, and there are reasons they don't work, or don't work instantly, or are considered but actually can't be tried for lack of some particular element of the plan. But Naomi's characters not only try things, they keep trying things. I love the doggedness of Liz and of several others who aren't even sure what they're reaching for, who have been in a terrible place to find it, but keep striving all the same.
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In lieu of a real post
today's important news is that I've cut all my hair off.
This has been planned since the beginning of 2023; with the 'when I'm obviously going grey' as the trigger point; I then waited until after the wedding. Hair at the back was long enough to repeatedly get caught in the waistband of trousers. Hair is halfway to packaged up to send to one of the wig making mobs. Thanks to chaomanor and
maharetr for the loan of the clippers, and Youngest for a mostly even cut.
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The Menace From Earth by Robert A. Heinlein

A diverse assortment of (mostly) non-Future History science fiction stories from Robert A. Heinlein.
The Menace From Earth by Robert A. Heinlein
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Done Since 2025-10-05
A couple of good things happened, but I also procrastinated way too much, which increases the stress level for this week. So does that make it a good week or a bad week? Maybe not.
So let's start with the good stuff for a change: N's book, The World as It Ought To
Be, has been published! The eBook can be had right now from
Smashwords,
which has a free
sample you can read online. My signal boost post
from yesterday lists more sellers. Go take a look -- it's hopepunk,
solarpunk, protopian gentle fiction, and if you're a fan of ysabetwordsmith's Terramagne poems, you'll probably like it.
Also, according to pv magazine International, Solar tops [the] EU power mix in June with [a] record 22% share. And I got my flu and pneumonia jabs, to go with CCOVID last week.
Somewhere in between, I had a gastroscopy Wednesday -- I'll find out the results this coming Friday. I don't expect really bad news, but they sent me away with a prescription for a proton pump inhibitor.
On the down side, I've procrastinated a whole lot, with the result that the HyperSpace Express website needed some fast work, and needs more this week. So do my US federal income taxes. Our plans for the Kaleidofolk studio album are slightly up in the air at this point, only in part because I haven't been practicing enough. And I still don't have a medical alarm pendant.
If time is nature's way of keeping everything from happening at once, it's not working! And I'm not helping.
And on the way down side, of course, the US is still in the hands of a fascist regime led by a convicted felon and his gang of thugs and unindicted traitors, and I'm extremely worried about my friends and family members who are still there. Not to mention the planet.
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Yuletide Letter
we share at least one fandom, which is great, and I'm really grateful you take the time and trouble to write a story for me. All the prompts are just suggestions; if you have very different ideas featuring the same central characters, go for them. Also, I enjoy a broad range from fluff to angst, so whatever suits you best works fine with me.
DNW:
- bashing of canon pairings or characters in general. By which I don't mean the characters have to like each and everyone - a great number of those I've nominated can be described as prickly jerks, among other things, and it would be entirely ic for them to say something negative about people they canonically can't stand - but there's a difference between that and the narrative giving me the impression to go along with said opinions.
- Alpha/Beta/Omega scenarios, watersports, infantilisation. Really not my thing, sorry.
Likes:
- competence, competent people appreciating each other
- deep loyalty and not blindly accepting orders
- flirting/seduction via wordplay and banter (if it works for you with the characters in question)
- for the darker push/pull dynamics: moments of tenderness and understanding in between the fighting/one upman shipping (without abandoning the anger)
- for the relationships, both non-romantic and if you like romantic, that are gentler and harmonious by nature: making it clear each has their own life and agenda as well
- some humor amidst the angst (especially if the character in question displays it in canon)
The question of AUs: depends. "What if this key canon event did not happen?" can lead to great character and dynamics exploration, some of which made it into my specific prompts, but I do want to recognize the characters. Half of those I nominated are from historical canons, and the history is part of the fascination the canon has for me. ) However, if you feel inspired to, say, write Cecily Neville, space captain, and manage to do it in a way that gives me gripping analogues to the historical situations: be my guest!
How much or how little sex: I'm cool with anything you feel comfortable with, from detailed sex to the proverbial fade out after a kiss. Or no sex at all (given that most of my prompts are non-romantic in nature), as long as the story explores the emotional dynamics in an intense way.
( Cecily Duology - Annie Garthwaite )
( Foundation (TV) )
( Alien: Earth )
Drawtober #2, #4 and #8
Artist:
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Rating: G
fandom: Grave Robbers' Chronicles
Content Notes: brush pen and watercolour

I forgot to post this one here.
Title: Day 4 Pool
Artist:
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Rating: G
Content Notes: brush pen and sparkly ink

Title: Day 8 Under the bed
Artist:
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Rating: G
Content Notes: brush pen and watercolours
