bugshaw: (2013)
posted by [personal profile] bugshaw at 06:47pm on 04/04/2016
Harvest, for the Sci Fi 48 Hour Film Challenge - filmed this weekend

Sci-Fi 48HR Film Challenge - HARVEST from Little Dragon Films on Vimeo.



The Altar, shot in the Leper Chapel in January to get some period footage. Under a minute! We got to the final three for a project bid with this. You may remember this from posts such as "Help, Tudors wanted" - thanks for the Tudors!
https://vimeo.com/153551045
bugshaw: (Poe)
posted by [personal profile] bugshaw at 10:40pm on 04/04/2016 under
Films watched: 20 (total 55). 12 cinema, 1 stream, 3 BluRay/DVD, 4 tv, 0 LoveFilm.
Waitress
Ivan's Childhood
Hitchcock/Truffaut
Hail, Caesar
Watersprite Award winners
(shorts)
The Mirror
Andrei Rublev
Taxi Driver
High-Rise
Zodiac
(rewatch)
Zootropolis
Nostalgia
10 Cloverfield Lane
Marguerite
High-Rise
(rewatch)
Pacific Rim (rewatch on friend's New Large Telly, vg)
The Adjustment Bureau
Time Bandits
War Horse
Bad Teacher


Gigs etc (8-11)
Alice in Wonderland (exhibition, British Library)
Of Montreal (gig, London)
Akhnaten (opera, London)
Bo Ningen (gig, London)

I think I filled March with interesting things to take my mind off work! Akhnaten was amazing, stunningly staged, I was gripped throughout even though it was nearly 3 hours of hypnotic music and slow slow movements.

My film watching was driven by Bums on Seats radio show and a Tarkovsky season - I'd only seen Solaris, and the Picturehouse were showing all seven films, one per day. They're repeating them in batches to mid April and I hope to complete the set. I need to not pick my favourite seat though, it's far too comfortable, and in the snug cinema I found it hard to keep awake, which was a massive waste of the experience. I watched High-Rise, Marguerite, 10 Cloverfield Lane and Zootropolis for the radio - High-Rise twice as I wanted to catch more of how the edit and sound worked. The kaleidoscope motif used in the posters appears in the editing too; the jumble through of close living. Marguerite was just lovely, but with an interesting darker undercurrent of deception running through the whole piece, not just people kindly mis-praising her singing. I enjoyed watching the elements of that unfold and entangle. Hail, Caesar was good fun. No, I had never seen Taxi Driver or Time Bandits before March.

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