March 21st, 2026
sovay: (Lord Peter Wimsey: passion)
posted by [personal profile] sovay at 02:58pm on 21/03/2026
The afternoon's mail brought my contributor's copy of Not One of Us #86, containing my poem "Northern Comfort." I wrote it out of my discoveries of the ghost-ground that has been directly underfoot all my life and longer, from King Philip's War to Pomp's Wall, and this administration and its murderous terror of history. It shares a page and an issue of emptiness with a precisely targeted incantation by Gwynne Garfinkle as well the equally hollowing fiction and poetry of Kris Schokrowsky, Penny Durham, Carsten Cheung, Jennifer Crow, and more. I almost referred to the covert art by John and Flo Stanton, obscured by shattered webs of negative space or the rust-light of abandoned industries. Subscribe! Contribute! Make the right kind of strangeness in this world. I am off to South Station to collect one north-traveling seal.
Music:: Jake Blount & Mali Obomsawin, "The Green Road"
solarbird: (korra-on-the-air)
posted by [personal profile] solarbird at 11:16am on 21/03/2026 under , , , , ,

Pete Hegseth either has no idea what a pocket square is and/or what it’s for, or he uses the American flag as facial tissue, for blowing his nose. You might point this out to any flag patriots who still worship the shitstain and his minions:

Screen capture from video of Pete Hegseth ejaculating more lies and propaganda from behind a podium, as seen on MSNOW (formerly MSNBC), captioned PENTAGON LEADERS HOLD BRIEFING ON IRAN WAR, and captured by Mary Trump Media for her breaking news segment. In his suit jacket, he has an American flag in the pocket square/handkerchief pocket, because, as a fool and a clown, he has no idea what it actually is or what it's for. I like to think he rubs one out into it, because - let's face it - that's what he thinks of the Republic.

Normally, I probably wouldn’t bother with something this stupid and petty, but they’re trying so hard – so hard – to pretend to be old money and yet have no fucking idea what any of the symbolism means that this basically became a small but perfect snapshot of the sick delusional fraud encompassing literally every aspect of their worthless, filthy lives.

There are nearly infinite reasons to want to punch this cretin directly in the face the moment you see him, this is merely one of many.

But it’s just so completely on the nose, isn’t it?

Just like someone’s fist should be.

Posted via Solarbird{y|z|yz}, Collected.

ysabetwordsmith: (moment of silence)
Actor Nicholas Brendon has passed away. He is most famous for playing Xander on Buffy the Vampire Slayer, but also appeared on Criminal Minds and Private Practice.


Carry on the Work

5 Ways How To Steal The Show As The Comedic Relief In A Drama

Acting -- how to articles from wikiHow

Acting in Horror Films: Why You Need It And How to Pull It Off
Mood:: 'busy' busy
oursin: Brush the Wandering Hedgehog by the fire (Default)
posted by [personal profile] oursin at 04:44pm on 21/03/2026

And I don't think I've had Edna before??

Recuerdo

We were very tired, we were very merry—
We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable—
But we looked into a fire, we leaned across a table,
We lay on a hill-top underneath the moon;
And the whistles kept blowing, and the dawn came soon.

We were very tired, we were very merry—
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.

We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, “Good morrow, mother!” to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, “God bless you!” for the apples and pears,
And we gave her all our money but our subway fares.

brithistorian: (Default)
posted by [personal profile] brithistorian at 11:10am on 21/03/2026 under ,

I talk with my hands. This amuses A. to no end: She's the one who's part-Italian and yet I'm the one who can't talk without gesticulating. Whether I'm talking about sending an email (fingers typing on a keyboard), sending a fax (hands palm-down, fingertips guiding the paper into the machine), or chopping vegetables (left hand moving the knife up and down, right hand advancing the the vegetable toward it), I don't even think about it, but my hands accompany my words.

Yesterday, we got some small cucumbers and I was talking about using some of them to make oi muchim (a Korean cucumber salad with thinly sliced cucumbers in a gochugaru-seasoned dressing). I was talking about slicing the cucumbers, and she looked at my hands and asked "What's that?" I looked at my hands and saw that my right hand was flat, palm-up, while my left hand was palm-down, in a claw grip, moving back and forth over my right hand. And then it hit me: When I make oi muchim, I don't slice the cucumbers with a knife. I slice them with a mandoline. And without even thinking about it, my hands were doing to the correct motion for the action I would be doing.

I don't even notice that I'm doing this until she points it out, so I don't know if I could stop it if I tried.

jayblanc: (Default)
posted by [personal profile] jayblanc at 04:21pm on 21/03/2026
I had my enby'ness confirmed, a neighbours dog that 'is sexist towards men' came up to me and licked my hand.
skygiants: Rue from Princess Tutu dancing with a raven (belle et la bete)
posted by [personal profile] skygiants at 10:22am on 21/03/2026 under
I've seen two Boston Ballets in relatively quick succession over the past month, both combo programs featuring two pieces; the first was "The Rite of Spring" (Elo's, not Nijinsky's) paired with Pite's "The Seasons' Canon," and the second was a premiere, Stromile's "The Leisurely Installation of a New Window," paired with Ashton's "The [Midsummer Night's] Dream."

Breaking with the actual curation of the productions, I'm going to talk about "The Rite of Spring" and "The Leisurely Installation of a New Window" together because they both came first in their productions, they had kind of similar vibes, and I experienced similar feelings of mild disappointment about both of them that were not technically the fault of the productions. I was really excited about "The Rite of Spring" because I wanted to see some ballet dancers do a dramatic ritual sacrifice, and I was really excited about "The Leisurely Installation of a New Window" because I wanted to see some ballet dancers slowly install a window. Instead, both of these pieces were kind of abstract explorations through dance of the Relationship between the Individual and Society, and I think both would have been enjoyable for fifteen minutes but ran a bit long at half an hour.

The description for "Window" in the playbill reads:

Eighteen dancers inhabit the work through distinct but interdependent roles. The Seeker stands close to tradition, moving with discipline and clarity. The People operate within shared systems, attentive to both order and its quiet tensions. The Reformers introduce disruption, not as spectacle, but as pressure applied from within.

This did help me understand better what was going on in the dance, as the Seeker stalked around holding a book and then portentously passed it off to some dueting Reformers, but also made it feel a bit like a LARP that I was not participating in. On the other hand Reeves Gabriel of The Cure was There and Participating in Ballet Music (and every bit of marketing wanted you to know that Reeves Gabriel Of The Cure was There and Participating in Ballet Music) and occasionally the music would get very thrillingly electric guitar and you'd be like "Hello, Reeves Gabriel of The Cure!" So it's not that I didn't have a fine time, I just would have been okay with somewhat less of that time.

However, after these very mildly disappointing openers, I loved both "The Seasons' Canon" and "The Dream" very much! The Seasons' Canon is, justifiably, a known Boston Ballet showstopper -- a huge piece with a huge cast, and as you guys know I often have trouble with a piece that is not trying to tell me a story but this piece is truly just Humans Make Big Shapes and it's riveting. Could not take my eyes off it. The trailer here gives a bit of a sense but of course is not that much like seeing it Actually On Stage, but it does let you see one of the things I found most striking about the piece which is how extremely non-gendered it is -- everyone on that stage is dressed identically in pants and nude tank that makes them look topless, the whole corps looks like one and moves like one and there is nothing to distract you from that. Really, really cool experience.

And "The Dream" -- look, I'm a simple soul, and what I have discovered is that I love Ashton's silly panto-esque ballets. They are fun and they are funny and I love it when people get to be funny in dance! Dance jokes are good actually! Titania ballet-hopping her way towards Bottom in a way that manages to be simultaneously fairy-like and hilariously sultry, the arguing lovers constantly picking each other up and pirouetting a partner firmly Away from them Thank You, the rude mechanicals!! we wanted more rude mechanicals but I was so glad we got what we got. A+ Midsummer Night's Dream, would see again.
james_davis_nicoll: (Default)


13 books new to me, and save for one mystery, all fantasy. Man, fantasy is just eating SF's lunch. Not that that will be reflected in what I actually review.

Books Received, March 14 — March 20



Poll #34393 Books Received, March 14 — March 20
Open to: Registered Users, detailed results viewable to: All, participants: 36


Which of these look interesting?

View Answers

The Siren by Tomi Adeyemi (October 2026)
8 (22.2%)

Twined Fates: Tangled Hearts, Book Three by K. Bromberg (October 2026)
0 (0.0%)

Light of the Song by Joyce Ch’Ng (September 2025)
8 (22.2%)

The First Flame by Lily Berlin Dodd (November 2026)
1 (2.8%)

A Destiny So Cruel by Amanda Foody & C. L. Herman (November 2026)
1 (2.8%)

Find Me Where It Ends by Cassandra Khaw (October 2026)
11 (30.6%)

Bad Company by Sara Paretsky (November 2026)
7 (19.4%)

The Kings’ List by Jade Presley (May 2026)
2 (5.6%)

My Unfamiliar by Mara Rutherford (December 2026)
8 (22.2%)

Ghosted by Talia Tucker (November 2026)
3 (8.3%)

The Mystic and the Missing Girl by Vikki Vansickle (September 2026)
6 (16.7%)

The Scarlet Ball by Nghi Vo (October 2026)
12 (33.3%)

Chosen Son by Adrienne Young (November 2026)
2 (5.6%)

Some other option (see comments)
0 (0.0%)

Cats!
29 (80.6%)

Posted by John Timmer

On Monday, a paper announcing that all four DNA bases had been found on an asteroid sparked a lot of headlines. But many of the headlines omitted a key word needed to put the discovery in context: "again." The paper itself cited similar results dating back to 2011, and the ensuing years have seen various confirmations and more rigorous studies. The new work was less notable for showing that we had found these bases in Ryugu than for solving a previous mystery: earlier studies had failed to detect them there, despite their presence in many other asteroid samples.

Outside the headlines, though, the new work provides some interesting details, as it may answer an important question: how these bases got there in the first place. Understanding that better may be critical for getting a better picture of how the raw materials for life ended up on Earth in the first place.

Searching for bases

Let's start with a description of what the researchers found. Both DNA and RNA, the two nucleic acids used by life, share a similar structure. That includes the backbone, a chain that alternates between sugars and phosphates that are all chemically linked together. While the specific sugar differs between DNA and RNA, the chain itself varies only in length; otherwise, the backbone of every DNA or RNA molecule is identical.

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Posted by Avi Asher-Schapiro

Last summer, a group of officials from the Department of Energy gathered at the Idaho National Laboratory, a sprawling 890-square-mile complex in the eastern desert of Idaho where the US government built its first rudimentary nuclear power plant in 1951 and continues to test cutting-edge technology.

On the agenda that day: the future of nuclear energy in the Trump era. The meeting was convened by 31-year-old lawyer Seth Cohen. Just five years out of law school, Cohen brought no significant experience in nuclear law or policy; he had just entered government through Elon Musk’s Department of Government Efficiency team.

As Cohen led the group through a technical conversation about licensing nuclear reactor designs, he repeatedly downplayed health and safety concerns. When staff brought up the topic of radiation exposure from nuclear test sites, Cohen broke in.

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kayla_allen: Welcome sign on old US 40 at west end of town (Fernley)
posted by [personal profile] kayla_allen at 02:02am on 21/03/2026 under
Because of how Day Jobbe went the previous two days, I went to bed on Friday about 4 PM. Around seven hours later, I woke up and about the time I though I was ready to go back to bed for a little while, I heard an unusual sound from the railroad. Looking out, I saw this.



This is a rail-grinding train. The railroads periodically grind the rails to smooth them out and prevent small cracks from becoming large ones. Of course it certainly makes the sparks fly! The trailing part of the train is the water cars that spray water over the area to prevent fires, and that is why there is a cloud over the train.

At the very start of the video, you'll see Lisa briefly passing through the frame, as she had also come out to have a look at the show. There even was a passing car that stopped to see what was going on.

The Railway Legends, Myths, and Stories channel is very quiet these days, but it serves as a good place to post videos like this.
location: Fernley, Nevada
Mood:: 'impressed' impressed
elf: We have met the enemy and he is us. (Met the enemy)
posted by [personal profile] elf at 12:13am on 21/03/2026
Found a nice gaming article on Bluesky (Three Tiers of RPG Publishing), which led me to another article, which I found insightful and clever (and a bit sad, as accurate talk about economics these days tends to be), and then hit the bit that blew my mind.

They Killed Normal and Called It Progress: "Julia Roberts, Applebee's, Bandcamp, your manager, and the death of everything in between. (Also, Sweetgreen is the A24 of dining and I will die on this hill.)"
Have you noticed that the middle is gone from everything? Restaurants, companies, careers, music, retail, the economy itself. What replaced it is a barbell: one enormous weight on each end, nothing in the center, and most of us trying not to get crushed by the bar.

And the replacement does look better every single time, I grant you that. The A24 film is better than the $40 million adult drama from 2007, yeah, we can all agree on that. The Sweetgreen bowl is better than the Applebee’s chicken parm, sure. Your favorite Substack is sharper than the mid-list magazine that folded in 2019. Every replacement is a genuine upgrade. But every replacement serves fewer and fewer people.
That's not the mind-blowing part. That's the thesis, the baseline, the part that he spends half of the ~3000 word essay explaining, giving examples of, making neat comparisons across different industries.

It's amazing that it doesn't get boring because it truly is the same damn pattern )
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
People have expressed interest in deep topics, so this list focuses on philosophical questions.

Does marriage as an institution need to be updated or is it fine how it is?

Read more... )
Mood:: 'busy' busy
azurelunatic: Vivid pink Alaskan wild rose. (Default)
posted by [personal profile] azurelunatic at 10:10pm on 20/03/2026
... Make better choices.


Yellface went into Mila's room, hid under a table, beefed with Mila in some fashion, and was hauled ignominiously out.


As for me, my rescheduled retina appointment went fine. Some of the issues have cleared up. Prognosis very good. I had to transfer between power chair and clinic chair three times. As I told them on the final occasion: I have a bad knee and a worse knee. Trying CBD ointment in addition to Voltaren, on the advice of my now-former primary care. (And I know who my new primary care is going to be, yay.)

It's possible that my retina appointments this year are cursed. On the last attempt, my car was so low on battery that it died at an intersection and there was a whole drama with a guy who scared the whole block and tried to open my car door. This time we got there okay, but Belovedest suffered a flat tire while out with [personal profile] alexseanchai later in the day. This wrapped up with Thorn having to come rescue that Toaster with a wrench that actually fit the nuts. (Cue penis measuring jokes.)
posted by [syndicated profile] apod_feed at 04:22am on 21/03/2026
ysabetwordsmith: A blue sheep holding a quill dreams of Dreamwidth (Dreamsheep)
posted by [personal profile] ysabetwordsmith at 09:16pm on 20/03/2026 under ,
Today's theme is Magic.

Read more... )
Mood:: 'busy' busy

Posted by John Scalzi

There is a parking lot visible in the photo, I will note. That said, this is not the usual parking lot photo from when I travel.

San Diego is lovely. But then, when is it not. We will be in it only briefly before setting sail on this year’s installment of the JoCo Cruise. Try to have fun without us for a week.

Oh, and happy equinox! Spring is here. Thank God.

— JS

March 20th, 2026
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
posted by [personal profile] ysabetwordsmith at 05:36pm on 20/03/2026 under , ,
These questions come from [community profile] thefridayfive.

Read more... )
Mood:: 'busy' busy
missdiane: (Default)
Noticed just now that Raye has a new song. They went all out for the visuals in the video too.

Posted by John Timmer

On Friday, a jury in California determined that Elon Musk had misled investors in Twitter via public statements that depressed the price of the company's stock ahead of Musk's purchase of the service. Because this was a class action lawsuit, Musk is likely to owe damages to a huge range of investors—payments that may ultimately reach billions of dollars.

In the lead-up to Musk's ultimate purchase of the social media platform, he made a number of comments on the platform itself and while appearing as a guest on a podcast, largely focused on the alleged prevalence of bot accounts on the platform. This raised fears that the deal wouldn't go through and depressed the price of Twitter's shares, causing some investors to sell shares at a depressed price during this period.

A number of those investors started a suit that was certified as a class action, claiming that the statements defrauded them and that Musk made them intentionally as part of a larger scheme. The jury rejected arguments about this larger scheme but found Musk liable for the tweets.

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